Main content

Be-spoke creations: Five cycling-related works of art

6 July 2018

The sport of cycling and the epic, sweeping narratives of its great races have inspired writers and artists for decades. Ahead of the 2018 edition of the Tour de France, TOM CHURCHILL looks at five ways cycling has collided with the world of the arts.

The sleeve design for Kraftwerk's Tour de France, and the Hungarian postage stamp it was based on

Tour de France, by Kraftwerk

German synth-pop pioneers Kraftwerk are famously as fanatical about cycling as they are about synthesisers, and this 1983 single is their musical love letter to the world’s greatest bike race.

Its iconic sleeve shows the band on bikes in racing formation, and is adapted from the design of a Hungarian postage stamp from 1953, issued to mark the opening of the Népstadion (People's Stadium) in Budapest.

Of the recording, co-founder Ralf Hütter said: "We were inspired by recording breath and heartbeat and other sounds from bikes. We are very interested in the dynamics and the energy and the movement."

La Vie Claire's Mondrian-inspired jersey

Looking stylish on a bike isn’t easy. Pro riders may have the anatomy to pull off the unforgiving Lycra of racing clothing, but the chances are their team kit will be an eye-watering mess of sponsor logos. Having the name of a budget supermarket emblazoned across your backside isn’t the strongest look.

But it wasn’t always this way. Back in the mid-80s, French team La Vie Claire sported an eye-catching geometric design inspired by Piet Mondrian’s Composition with Red Blue and Yellow.

It was worn by superstars Greg LeMond and Bernard Hinault in the 1986 Tour de France, which the team utterly dominated and which American LeMond went on to win. Having the most stylish jersey in the peloton can’t have hurt.

Tour de France winner Greg LeMond models the La Vie Claire team kit in 1986 | Photo: Michel Baret/Gamma-Rapho via Getty Images

The Rider, by Tim Krabbe

No novel sums up the experience of bike racing more beautifully than this semi-autobiographical masterpiece by Dutch author and journalist Tim Krabbe, a former chess master who took up competitive cycling in his thirties.

Across 148 pages of elegant, gripping and often caustically funny prose, he recounts the exploits of a fictional ‘Tim Krabbe’ in the Tour de Mont Aigoual amateur race in the south of France in the late summer of 1977.

It offers a glimpse into the masochistic psyche of the cyclist, such as in this oft-quoted passage: “After the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering.”

The Rider was originally published in Dutch in 1978 and was translated into English in 2002

The Koers Museum of Cycle Racing

As the home of Spring Classic races such as the Tour of Flanders, and the motherland of the greatest racing cyclist of all time, Eddy Merckx, Belgium is arguably more fanatical about bikes than any other nation – and it has a cycling museum to match.

Ahead of a grand reopening in Roeselare in September following an extensive refurbishment, the museum recently staged a remarkable exhibition at the town’s Paterskerk church, entitled Koers is Religie (Cycling is a Religion).

The exhibits included a giant steel cross made from old bikes, a shrine to Merckx, and a video loop of Lance Armstrong owning up to Oprah Winfrey about his doping... playing inside a confession booth.

The Koers is Religie exhibition | Photo: cyclinginflanders.cc

Time Trial, featuring David Millar

It’s been a while since a documentary captured the essence of cycle racing from the inside. The classics of the genre – Jorgen Leth’s The Stars and the Water Carriers, about the 1973 Giro d’Italia, and A Sunday in Hell, about the 1976 Paris-Roubaix – are now more than four decades old, and recent films have tended to focus on doping scandals, such as Alex Gibney’s The Armstrong Lie, and Bryan Fogel’s Oscar-winning Icarus.

Former racer David Millar should change that with the long-awaited release this summer of Time Trial, which follows him through his troubled final season in the saddle. Directed by Finlay Pretsell, it features immersive, mesmerising footage from inside the peloton, along with his distinctive voiceover describing the suffering and pain in unsparing detail.

Millar is now one of the most prominent voices in modern cycling, thanks both to his writing – his book Racing Through the Dark is a searing and honest account of his doping ban and subsequent rebirth as anti-doping campaigner – and his commentary on ITV4’s coverage of the Tour de France.

Warning: Third party content may contain adverts.

The Art of Sport

More from BBC Arts