Profile: Ibrahim Ahmed

Age:

22

Why did you pick this subject for Fresh?

The main reason why I picked the subject of khat is because it has been a constant part of my cultural life and I wanted to raise awareness and create a debate about the effects it has on our communities. With the new laws that will come into effect in January 2014, I think that this is a relevant and important discussion to have. My intention is to create a second part to the documentary, which will look at the effects of the new ban.

What motivated you to make this film?

I live in Sheffield and when I heard BBC Fresh had a pitching opportunity at Sheffield Doc/Fest to make a short film on disability, I straightaway knew I could make a film on a close friend of mine, Sultan Al Esayi. Sultan who was born with cerebral palsy, which limits his mobility, plays wheelchair basketball for Sheffield Steelers and has aspirations to be a paralympian for Team GB. Sultan is a confident (which you might not notice in the film!), intelligent and funny young man who is the eldest child of six children. He is a positive role model for them and his ambitious and hardworking ethic helps deliver his message that disability is not an obstacle.

What equipment did you use to shoot the film?

I shot with a Canon XF305 and a Canon 550D.

Tell us about post-production:

I worked with a BBC editor, Lynsey Masters, from whom I learnt very much.

Who/what inspires you?

I am inspired by those who fight injustice of any kind, and those who suffer from pain and hardship, but still have the strength and faith to live their lives. I’m often inspired by people who are prepared to take risks, stand up for the rights of others and not be influenced by mainstream media or thinking. Martin Luther King is a perfect example.

What is the most important thing you have learned so far?

I have definitely learnt not to shoot too much footage, something that I did in this film. I have also learnt to prepare and plan days before filming. Shooting what is necessary is extremely important, but also trying to capture relevant and special moments by being patient and asking the right questions. Working with a BBC editor taught me techniques on what shots work best visually and how to keep a film flowing.